[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.3.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″]The ‘Morgan’ Album was produced for me by Lou Reizner in London in 1970 and then released in America. Some time later, in 1971, I sat with The Bird (aka Warren Samet) in our Miami apartment while he wrote these liner notes for it:
Dave Morgan is among the new wave of lyrical, acoustical folk-rock performers who have taken the recording industry by storm. Forceful, earthy, and yet gentle he is an artist who fell into the musical pudding rather by accident at the ripe age of twenty-two. Now twenty-eight, he is a veteran of several rock groups in England, still having manage to find the time to write two hit songs, ‘Mary Collinto’ and ‘Something’ plus all the songs on a soon-to–be-released LP by a new group, Wishful Thinking.
Dave has a deceptively rangy voice and the ability to call upon a throaty, gravel-like quality which can change in a moment to a sound that is soft and sensitive. Virtually self-taught, he assembles things which he has heard with things that he feels, and comes up with a sound that is distinctly Dave Morgan.
The Bird
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